Plain Talk, Good English


Quick English: What I’ve learnt in eight days
August 29, 2011, 8:40 pm
Filed under: Everyday Commentary

1. People have a lot to do after 9pm on a Monday night.

2. Anything broadcast via Blackberry Messenger is absolutely 100% fact and should be heeded.

3. A 14 year old girl who goes on Youtube to jokingly say things I occasionally hear from grown men and women in the streets of Trinidad and Tobago is a menace to society and should be taken into custody.

4. The Government is very good at sending clear messages to the public. Nobody in Trinidad and Tobago is confused after they speak.

5. Great journalism only occurs when the interviewee is made to look like an imbecile and or made to concede to the opinion of the journalist. Exposing facts and showing responsibility and or objectivity isn’t that important.

6. Trinidadians are so well informed, they can only agree with people who sound intellectual.

7. Ian Alleyne is Gandhi reincarnated, seriously.

8. Trinidadians can actually be disciplined, once their rights are taken away.



All or Nothing: Seeking Out Sensibility in the State Of Emergency (SOS SOE)
August 24, 2011, 5:48 am
Filed under: Everyday Commentary

It’s the morning after the second night of curfew. About two days after I first thought about doing this blog.

Two days of which I held back typing these words because I was looking for something.

Something to make sense of it all.

To understand.

Last night as I saw Dominic Kalipersad mercilessly corner the Attorney General on national television, I was silently rooting for Mr. Ramlogan.

Not because I ultimately support the actions of the government, but because I wanted to actually hear something from them that made sense.

That makes this worth it, something reassuring.

Didn’t find it.

On Sunday night, upon hearing the announcement, I tried to rationalise it.

Instead last night as Dominic Kalipersad and later Martin Daly continuously exposed the flaws and faux pas’ of the government’s actions, I could see status updates, statuses and comments which symbolised an anger and tension that I hope, for the country’s sake, doesn’t boil over.

Hoping that, in this blog, I could find something to write for the people, to guide them through  this not so limited, but very real State of Emergency.

I haven’t found it.

Instead I continuously see more mis-information being spread, to the point that half the country is not even sure what is going on, because facts are continuously being distorted.

So this distorted that even media houses have printed and posted information that has misguided the public.

Distorted mainly ignorant racially fueled or political motivated Blackberry Messenger broadcasts or irresponsible rumor mongering.

Instead of stable messages being sent out by our leaders I see more party politic posturing by both members of government and opposition figures.

All simply stirring a fire, when we need to be mindful. Our leaders for the moment seem to ignored practicality, we the people can not.

I can’t use what the government said, but I, still hoping, appeal to my countrymen to not mimic the leadership at this point.

For the next two weeks, a heck of a lot of good sense has to prevail for us to see any rewards from this.

This is an all or nothing situation. Like Martin Daly said, “It’s like an Ace, you either hang jack with it or you don’t. You can’t play another ace.”
Either it works and it’s great, or we fail.

And we fail.

It may be badly put together, but at this point as a nation we need to live up to our often forgotten watchwords somewhat because I rather not see the outcome should this thing backfire.

Show some discipline, hold the strain and see out these two weeks.

It means that, we don’t need to create more tension by being idiotic.

So please people, act like you have some sense.



Carnival without Kerwin?: Probably not a good thing
August 16, 2011, 1:04 am
Filed under: Music/Entertainment

Writer’s note: The following post is an amended version of an article initially intended for a magazine. Unfortunately delays and logistic problems meant the article was not (at least to my knowledge) published. I however still felt the article should meet the public eye, so here it is:

Imagine Carnival without Kerwin Du Bois.

Would last season’s fetes be the same without “Ah Ting” and “Heaven in You”?

You’ll survive right?

What if Machel Montano’s “Illegal” and Kees’ “Wotless” left with him? Still think you’d have enjoyed yourself as much if the Toronto-based artiste/producer took his ball and went home?

Well while it’d take quite a damper to mitigate the high that Carnival brings but Du Bois has regularly been injecting a dose of additional vibes into the season. In more ways than you know.

Du Bois’ touch has given life to more than a few favourites in recent seasons; Blaxx’s “Tusty” “Breathless” and “Zombie”, Destra, Denise Belfon and Alison Hinds’ “Obsessive Winers” are just some of the hits penned and produced by a certain Canadian citizen named Du Bois.

“But you see people doesn’t know that sometimes,” said Du Bois at his apartment earlier this year.

Du Bois, like many other local producers, has struggled for people to recognize the man behind the music.

But he is accustomed to struggle.

A former Junior Calypso Monarch, he steadily rose through the Calypso ranks until his career hit a crossroad in 1998.

“When I had win Young Kings and Stars of Tomorrow in the same year, there was nothing for me after that, nobody was calling to do shows” recalled Du Bois. He looked to Soca, but success took its time.

Six years lapsed before an email interaction with Machel Montano saw him send a demo version of “Bubblenut.”

“It was a song that was suitable for him, he’s the kinda winer-man thing and if was anyone who could have showcase that for me, it would have been him,” recalled Du Bois.

The 2004/5 hit brought Du Bois his opening, the calls started coming in.

“People curiosity level start to grow, they start asking who do that?” said Du Bois, but again things slowed, until a song, first meant to be a party advertisement, caught fire.

“I telling you up front, I never had confidence in ‘Gyal Farm’,” remembers Du Bois of the 2008 hit. It even took a bit of faith from his collaborator, Shal Marshall, to keep the project alive, Du Bois admitted.

The result was a surprise hit for an artiste in 2008 and a resurgence we’ve welcomed ever since.

Du Bois is grateful for his trials but urges artistes and writers to work with each to give the people behind the music their due.

“Is a hand in hand thing which starts with the artistes. The artistes must acknowledge who responsible for making these things possible…Producers need to put themselves out there too, they need to push themselves, put their names out there market themselves” said Du Bois.

Du Bois has stated that since the middle of the last Carnival season he had already been thinking of new ideas for 2012.

We look forward to hearing it.

We salute you Kerwin Du Bois.

Keep doing your thing man